Álvaro Cepeda Samudio

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Is Álvaro Cepeda Samudio Dead or Still Alive? Álvaro Cepeda Samudio Birthday and Date of Death

Álvaro Cepeda Samudio

Álvaro Cepeda Samudio Death

Álvaro passed away on October 12, 1972 at the age of 46 in New York City, New York, United States. Álvaro's cause of death was lymphatic cancer.

Álvaro Cepeda Samudio death quick facts:
  • When did Álvaro Cepeda Samudio die?

    October 12, 1972
  • How did Álvaro Cepeda Samudio die? What was the cause of death?

    Lymphatic cancer
  • How old was Álvaro Cepeda Samudio when died?

    46
  • Where did Álvaro Cepeda Samudio die? What was the location of death?

    New York City, New York, United States

Álvaro Cepeda Samudio Birthday and Date of Death

Álvaro Cepeda Samudio was born on March 30, 1926 and died on October 12, 1972. Álvaro was 46 years old at the time of death.

Birthday: March 30, 1926
Date of Death: October 12, 1972
Age at Death: 46

Álvaro Cepeda Samudio - Biography

Álvaro Cepeda Samudio (March 30, 1926 – October 12, 1972) was a Colombian journalist, novelist, short story writer, and filmmaker. Within Colombia and the rest of Latin America, he is known in his own right as an important and innovative writer and journalist, largely inspiring much of the artistically, intellectually and politically active climate for which this particular time and place, that of mid-century Colombia, has become known. His fame is considerably more quaint outside his home country, where it derives primarily from his standing as having been part of the influential artistic and intellectual circle in Colombia in which fellow writer and journalist Gabriel García Márquez—with whom he was also a member of the more particularized Barranquilla Group—and painter Alejandro Obregón also played prominent roles. Only one of his works, La casa grande, has received considerable notice beyond the Spanish-speaking world, having been translated into several languages, English and French among them; his fame as a writer has therefore been significantly curtailed in the greater international readership, as the breadth of his literary and journalistic output has reached few audiences beyond those of Latin America and Latin American literary scholars.

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